In the ongoing controversy surrounding the tragic death of Nigerian singer Mohbad, Iyabo Ojo, a mother of two, has finally addressed why she chose to speak out against Naira Marley and Sam Larry, despite backlash and criticism from some quarters.
She revealed that her decision was not impulsive but rooted in what she describes as “genuine reasons” based on disturbing content she came across in the days following Mohbad’s passing.
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According to her, several videos surfaced online showing alleged harassment and physical abuse involving the late singer. One of the clips that particularly shook her featured Sam Larry in what appeared to be mocking behaviour after Mohbad’s death. She also referenced other footage showing Sam Larry allegedly intimidating artists like Zlatan Ibile and Mohbad—actions that lent credibility to long-standing accusations of bullying and maltreatment within the music industry.
Speaking directly to controversial commentator Verydarkman, Iyabo Ojo didn’t hold back:
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“Verydarkman, I saw your video, and I know why you made those videos. I’m sure the NCCC has called to tell you that I’ve petitioned them, so you had to come out and do your normal manipulative tactics,” she stated firmly.
She continued by clarifying her motives, suggesting she had never met Naira Marley personally and only supported his music publicly in the past. However, that changed after she saw a viral video of him dancing shortly after Mohbad’s death.
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“I was angry. I saw a video of Naira Marley dancing after Mohbad’s death. I also saw Sam Larry’s video where he harassed Zlatan Ibile and Mohbad. That was when I believed the bullying allegations,” she explained.
Her statements make clear that her reaction was driven not just by public sentiment but by maternal instincts and a sense of civic responsibility.
“As a concerned citizen and mother, I used my platforms,” she said, emphasizing her role as someone who understands the weight of speaking out responsibly.
She also made it clear that while she had received a letter from the National Cybercrime Centre (NCCC) inviting her for questioning, she was cooperative and transparent.
“I was on my way to Tanzania for Priscilla’s wedding, and I saw the letter. I’ve never seen Naira Marley before. I just help promote his songs on my platform,” she clarified.
In her closing remarks, she took a subtle jab at her critics, declaring:
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“I am a very wise woman. I know when to fight, when to listen and when to speak, unlike you, who speak from both sides of the mouth. People should stop taking you seriously.”
Iyabo Ojo’s testimony adds another layer to the already complex and emotional saga that followed Mohbad’s sudden death, reinforcing how public figures also struggle with balancing activism, personal conviction, and the burden of influence
